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拉尔夫·赫梅克
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The bizarre and mysterious suicide of the Wendolyn’s patriarch brings the dysfunctional, pharma family back together. While the family members squabble over their dwindling inheritance, an ancient curse preys on their greed and arrogance. The Wendolyn’s made billions on painkillers, but no drug can kill the pain that they’ll soon endure.
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瑞安·J·斯隆
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A young woman who has been separated from her daughter works one odd job after another while battling a brain disorder whose name she does not know, but which deforms her perception of time and reality. At a group therapy session, she agrees to a mysterious deal with one of the fellow participants. Shot on a shoestring budget but in magnificent 16mm, and co-written with the magnetic lead actress, Ariella Mastroianni, Gazer gazes back on the masters of the paranoid thriller of the 70s and 80s.
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约翰·李·汉考克
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本剧聚焦赖斯“吸血鬼编年史”等作品中涉及的神秘组织Talamasca，“保护世界免受女巫、吸血鬼、狼人和别的怪物和超自然世界的危害”。而Guy Anatole的角色描述为：“外表聪明、英俊、时髦，但他一直知道自己的头脑运作跟别人不太一样。在从法学院毕业前夕，他被秘密机构Talamasca的人找上了，并发现自己从幼年时期起就在被该机构追踪。因此，Guy进入了一个秘密特工和不死生物的世界。如今，这些永生者与人类世界维持着一种脆弱的平衡，但要保持这种平衡，并且保住Guy的性命，他必须要学会接受黑暗、狡诈、奇特的真正自我。”
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金国威,伊丽莎白·柴·瓦沙瑞莉
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“People have a tendency to move on,” says Lynsey Addario. “It’s my job to get people to continue paying attention.” Love+War profiles the Pulitzer Prize–winning photojournalist as she risks her life for that mission. We follow her on several trips to Ukraine in recent years and trace her past two decades in the war zones of Afghanistan, Iraq, Sierra Leone, and Libya — where she was kidnapped by Muammar Gaddafi’s troops — among others.
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杰克·特雷西
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丹尼在一切正确的地方寻找爱情，却总是遇到错误的人。本剧源于创作者 Jack Tracy 在疫情后的真实约会经历，这部毫无顾忌令人咋舌、且自带傲慢评判的喜剧系列，记录了一个单身男子在纽约市同性恋约会地狱中的挣扎——他通过社交软件辗转于各色人群，在日益绝望的追寻中渴望找到真命天子。
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G.G. Hawkins
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Just one year into her marriage, Teresa (she/her) hopes her honeymoon in the tropical paradise of Bocas del Toro, Panamá will be the pinnacle of her relationship thus far. Yet, upon arrival, her perception of her husband Drew (he/him) as a people-pleasing golden boy begins to push her to the edge. Stripped of the routines that barely sustain their newlywed bond and unwilling to confront her true feelings, Teresa becomes captivated by Paz (they/them), a free-spirited expat who manages their vacation rental. In an impulsive attempt to reignite their fading connection, Teresa suggests a wild way to spice up their marriage.
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Pierre Tsigaridis
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From the creators of TWO WITCHES… a blend of elements from the hellbound genre with that of the slasher one to forge a fresh innovative concept in shock and increase the sensory impact. Employing multiple first-person point-of-view shots to immerse the audience in traumatic childhood experiences, the question is, why is little Mikey terrified of his mother? Maybe it’s because of the evil inside her? Mikey’s night terrors become reality when his mother begins showing signs of demonic possession. What he’s about to experience will haunt him for the rest of his life and claim countless lives across generations.
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Michael Pierro
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At the end of his rope, a newly redundant office drone (Nathanael Chadwick, THE LAST PORNO SHOW) takes a rideshare driver job, but the gig isn’t making ends meet, and he’s missing bill payments, avoiding calls from his landlord, and not spending time with his partner and new baby. Days of frustrating bookings, from bickering couples to puking party girls, reach a boiling point. When a slick passenger tells him about a new, well-paying driving gig at a company called Tonomo, our driver makes the call and starts immediately to cash in. This new job comes with rules, however—obey the app’s instructions, don’t talk to passengers, and finish the ride, or he’ll lose all his money. He soon learns that these are hard and fast rules and that he’s at the mercy of the app and its mysterious, often psycho customers, both of which will put him in situations that test his conscience and morals. – Carolyn Mauricette
