Ki
搜索"Ki" ，找到 2069部影视作品
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马歇尔·布瑞克曼
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先进概念研究所的一堆科学家们设计了一个愚蠢的恶作剧。他们把一个人洗脑，并告诉他，他是个出生时就被遗弃的外星人。他越狱后试图改变美国文化废除所有电视信号改用高能量电视发射机，此举使其成为一个全国名人。
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德兰 萨拉菲安 (Deran Sarafian)
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Back in the USSR is a 1992 American thriller film directed by Deran Sarafian and starring Frank Whaley, Natalya Negoda and Roman Polanski. The film is set in Moscow during the last years of the Soviet Union, with Gorbachev's glasnost and perestroika in full swing. Archer Sloan, a young American student from Chicago arrives hoping to sample the delights of Moscow, but runs into a number of people interested in stolen art works.
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Aby Treesa Paul,Anto Jose Periera
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The story follows father Baby and son Sibi navigating three intertwined romantic storylines set against Kattappana's scenic backdrop, blending humor with relatable love tales for a multigenerational audience.
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北村龙平
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莎拉（艾丽莎·易默思 Alexa Yeames 饰）、托德（罗德·赫尔南德兹 Rod Hernandez 饰）、杰夫（杰森·托比亚斯 Jason Tobias 饰）、艾瑞克（安东尼·科洛 Anthony Kirlew 饰）、凯伦（斯蒂芬妮·皮尔森 Stephanie Pearson）、朱迪（凯莉·科耐尔 Kelly Connaire 饰）等六名大学生利用假期驱车游玩，途中他们的汽车爆胎。不巧的是他们抛锚的地点信号太差，四周前不着村后不着店，她们只能自己动手修理汽车。身处荒郊野外，年轻人们只能耐心等待旅途的再度开启。谁知就在这时候，其中两人被不知来自何方的子弹射中，相继惨死在烈日之下。恐慌迅速弥漫，而无情的子弹则接二连三射向他们。 不知何时，他们已经闯入无情杀手的狩猎场，成为逃生希望渺茫的猎物……
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Ricky Tollman
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本·普拉特(《致埃文·汉森》)、妮娜·杜波夫、Mena Massoud(《阿拉丁》)和戴米恩·刘易斯将主演新片《主宰这座城》(Run This Town) ， Ricky Tollman编写剧本，并首执导筒。讲述一个年轻记者(普拉特)急于证明自己，他发现了一桩丑闻，涉及到一名浮华的、不可预测的政客(刘易斯)，政客的助手们(杜波夫和Massoud)试图牵制住他们的老板，为保住工作而进行秘密行动。 Randy Manis(《总统杀机》《杀死汝爱》)、 Jonathan Bronfman(《帕蒂蛋糕$》《星图》)制片。
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Joe Begos
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讲述一个画家江郎才尽，此时她被人介绍了一种药物，服用后她不由自主开始疯狂创作，但人也变成了嗜血的吸血鬼。
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Robbie Snow
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Nesting Dolls is a psychological thriller about the darker sides of us that can lie just beneath the surface. Tori, Britt, and Erica are sorority sisters who spend a week together at a river house. When near-catastrophe strikes, the three are forced against one another as sisters turn to enemies and their humanity and sanity spirals.
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Kipp Tribble
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After years on the run, the mystery man known as "Trick" is back, but not on his own terms. Trick finds himself trapped in a cage with four other hostages - all of them paralyzed from the neck down. When Trick realizes that one of the other hostages is an old foe, Detective Epperson, the two begin working together to uncover the connection between them and their captor - a masked man they suspect is the infamous Deathstalker Killer. Meanwhile, Agent Bobby Church of the FBI is investigating Epperson's disappearance and discovers the detective vanished while he had been following a lead in the Deathstalker case. The search soon has Church crossing paths with Epperson's former partner, Scott, himself looking into the abduction of his friend, Olivia. After Scott and Church discover cellphone pictures of Olivia in the cage with both Trick and Epperson, they know they must race against the clock to find the location of the cage before time runs out, and the hostages are executed one-by-one.
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马克·詹金
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康沃尔渔村的风景明信片田园诗误导了人们。虽然过去钓鱼是一种养家糊口的方式，但如今富有的伦敦游客纷纷下山，取代了当地人，当地人的生计因此受到威胁。史蒂文和马丁兄弟的关系也很紧张。马丁是一个没有船的渔夫，因为史蒂文开始用它来为一整天的游客提供更赚钱的旅游。他们卖掉了这座家庭别墅，现在看来，最后一场战斗是和新主人在海边的停车位上展开。然而，情况很快就失控了，而不仅仅是因为车轮夹钳。 Bait是一种黑白，手工制作，16毫米胶片制作的电影。许多关于鱼、网、龙虾、长靴、绳结和渔篮的特写镜头让人想起了蒙太奇景点的理论。对不同社会阶层的描述——可以说是阶级关系——也让人想起了英国电影中的社会现实主义传统。然而，最重要的是，在影像中不同层次的电影历史参考文献之下，当前许多政治关联正在等待被发现。 The picture-postcard idyll of the Cornwall fishing village is misleading. While fishing used to be a way of supporting oneself, wealthy London tourists have now descended and are displacing the locals, whose livelihood is thus threatened. The relationship between brothers Steven and Martin is also strained. Martin is a fisherman without a boat, since Steven started using it for far more lucrative tours for all the day-trippers. They’ve sold the family cottage and now it seems that the final battle to be fought is that with the new owners over the parking space next to the sea. Yet the situation soon gets out of hand, and not just because of the wheel clamp. Bait is a black-and-white film shot on hand-processed 16mm. Numerous close-ups of fish, nets, lobsters, wellington boots, knots and catch baskets bring to mind the theory of a montage of attractions. The depiction of the different social strata – one could speak of class relations – is also reminiscent of the tradition of social realism in British cinema. Above all, however, a whole lot of current political relevance is waiting to be discovered beneath the different layers of film historical references contained in the images.
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Stephen Ujlaki,Christopher Jacob Jones
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内详
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BAD FAITH exposes how Christian Nationalism has become the most powerful anti-democratic force in America, with an unparalleled ability to destroy democracy from within. Secular and interfaith leaders are joining forces to defend our country from this march to fascism, but Americans seem unaware of the threat.