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Paul King,Arif Nurmohamed,Dick Taylor,Jeff Wilkinson
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Neil Oliver returns to continue his epic story of how Britain and its people came to be, from the height of the Bronze Age through to the age of Iron, the Celts and the first kings to the age of Rome. Part 1: Age of Iron Part 2: Age of Warriors Part 3: Age of Invasion Part 4: Age of Romans
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Murray Lerner
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"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
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乔纳斯·阿克伦德,Steven Klein
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踏入二千年以来，Madonna这位已「女人四十」的流行音乐天后似乎有一种愈战愈勇之势。2005年，Madonna在出版过一张以Future Disco为大前提的Confessions On A Dance Floor专辑(也是其第十张专辑)、重拾她的Dancing Queen / Queen Of Clubland姿态后，再引伸出是两款她的DVD录像出品：先是为其04年Reinvention Tour拍摄的纪录片I’m Going To Tell You A Secret在去年面世，继而是在这个07年初推出的现场演出影片The Confessions Tour。两者同是由合作多时的Jonas Akerlund执导摄製。她的乐迷绝对不愁寂寞吧。 在The Confessions Tour内，收录了Madonna在2006年的Confessions Tour世界性巡迴演出在英国伦敦Wembley Arena举行的一站，共三场音乐会，最后一晚(8月16日)演出，正是她的四十八岁生辰，故也别有纪念性意义。 早已得悉她的Confessions Tour是何等精采绝伦。而毋庸置疑，这张The Confessions Tour的DVD，亦是那么叫人为之目不遐给。变化多端的舞台(包括令到由Stuart Price担任音乐总监的伴奏乐团可以「神出鬼没」)，精湛而慑人的录像投射，加上舞蹈员的配合，达至每首歌曲的表演皆有不同的Setting配套。现在在DVD里，又不时重新将本来的录像投射与舞台的画面加以重迭，效果更嘆为观止。后期製作的出色乃毋庸置疑。 开场曲Future Lovers跟重玩Donna Summer的1977年Euro-Disco名曲I Feel Love水乳交融而来，加上身穿骑马服的Madonna与舞蹈员带来充满S&M意味的演出，已够先声夺人。每首歌曲，都附上不同的舞台表演环节，如Like A Virgin里的「骑马舞」，Jump里舞蹈员的体操舞蹈，Confessions的舞蹈员读白，Live To Tell里那备受争议的钉十字架场面(背后的数字是要道出在非洲爱滋病令到一千二百万名儿童成为孤儿并带出连串关注非洲儿童的信息再以马太福音作结——为音乐会最触动心灵、发人深省的一曲)，Forbidden Love的两男一女「缠手舞」，Isaac的号角前奏，Sorry把舞台变成街头，Music Inferno的滚轴溜冰，在视觉上已令人留下深刻印象。 音乐会里有三首歌曲可看到Madonna弹奏结他。玩出I Love New York这首Disco-Punk曲目的时候，她背著电结他出场带来介乎The Stooges与Post-Punk式之间的结他Riff与製造Feedback，台上投映出纽约市曼哈顿的空中轮廓线，非常之酷；未段Madonna不断敲打结他时，镜头便做出地动山摇的效果，甚为震憾呢。跟著再玩了Ray Of Light。后来她又弹奏木结他与Issac Sinwani合唱Paradise (Not For Me)。来到尾段，便玩尽劲歌热舞的主题。在Erotica时娜姐换上白色紧身舞衣出场，La Isla Bonita在流丽的Flamenco结他下她大喊”It’s time to put on your dancing shoes!”把舞台变成狂热舞会；Lucky Star娜姐在紧身舞衣上披上印有”Dancing Queen”字样斗篷先向Abba致敬，末段已穿插著Abba的79年名曲Gimme！Gimme！Gimme！（A Man After Midnight）的前奏Sample，随即便引伸出结幕曲Hung Up，亦成为整场音乐会的高潮位，全场大合唱：”Time goes by….so slowly”。 Stuart Price(aka Jacques Lu Cont)的音乐总监角色固然功不可没，经他重新编曲下，为Madonna的歌曲重新注入舞池动能，甚至像Like A Virgin和Lucky Star等廿三、四年前的曲目，都变身成摩登的Electro-Disco House舞曲。1983、84年，Madonna初露锋芒的年代，小Stuart才得六、七岁咋。 专辑曲目： 1.Future Lovers 2.Get Together 3.Like a Virgin 4.Jump 5.Live to Tell 6.Forbidden Love 7.Isaac 8.Sorry 9.Like It Or Not 10.Sorry (remix) 11.I Love New York 12.Let It Will Be 13.Ray of Light 14.Drowned World/Substitute for Love 15.Paradise [Not For Me] 16.Music 17.La Isla Bonita 18.Erotica/You Thrill Me 19.Lucky Star 20.Hung Up
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Alex Kirby
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本片全部采用高清电影胶片摄制，由「天线宝宝」原班团队倾力打造，制作人安伍德Ann Wood再度如「天线宝宝」一般，在英国开辟出一片美丽的花园，园中是精心设计的人偶及高技术的动画呈现。幼儿观众很容易就会被色彩鲜艳的花园、逼真的动画，和逗趣的人物吸引。 与一般幼儿节目不同，「花园宝宝」的特色是完全看不出要「教」幼儿什么东西，而是给1到5岁的幼儿一段好奇探索的欢乐时光。 花园宝宝-角色介绍 剧中人物形象玩偶依古·比古：蓝色的依古·比古长得像泰迪熊，他是花园的访客，夜晚会回到他的小船上。他总是拖着一条红色的毯子，受惊吓时会突然躺平。唔西·迪西是他在花园里最好的朋友。 人见人爱的玩偶依古·比古活泼好动精力充沛，不停蹦蹦跳跳。他既好奇又爱冒险，不过也很谦虚。有时他也需要鼓励及安慰，靠的就是他那张写了「别担心，依古·比古」的毯子。“对，我叫依古·比古”，...任何惊奇都会让他兴奋得不得了，让他乐弯了腰！不过他会很快打直身体，然后又开始笑弯腰。 唔西·迪西：绑着五彩辫子的唔西·迪西，长得像是一个布娃娃。她开心的时候，五彩辫子就会往上翘。唔西·迪西的床是有生命的，会在花园里自由移动，所以睡觉之前，她必须抓住床别让它跑走了。唔西·迪西很喜欢唱歌，她有一只橘色的站立麦克风。她是个开朗乐观的洋娃娃，并且很有自信，情感流露，最喜欢在整个花园里跳舞。她和依古·比古是最要好的朋友，几乎就像亲手足一样。 玛卡·巴卡：玛卡·巴卡长得比依古·比古还圆滚滚，他住在小小的洞穴里，睡在石床上。玛卡·巴卡总是推着可爱的小推车，在花园绕来绕去。推车里有海绵、肥皂和红色的喇叭。他最喜欢清洁整理，像是花园的守护者。 玛卡·巴卡最喜欢收集和清洗小石头。他也爱帮别的玩具清洗吹干脸。玛卡·巴卡睡在他的小洞穴，小小的石头床铺上色彩缤纷的寝具。玛卡·巴卡上床睡觉的时候，总是要带着他最喜欢的那颗石头。 汤姆布利柏：汤姆布利柏是穿着圆点点和长条纹衣服的娃娃，他们分别是汤姆布利柏·安、汤姆布利柏·哦、汤姆布利柏·咦，三个宝宝睡在树丛中的同一张床上。他们出现时总是念着自己的名字，喜欢打鼓与弹琴，还有睡前一定会记得刷牙。他们总是凑在一堆，很少单独行动，而且他们的裤子常常突然掉下来。他们在树丛里的时候，不是在弹钢琴、打鼓，就是在迭砖块，或者把砖块分类。安安的衣服是红色和绿色的。哦哦的衣服是棕色和粉红色的，咦咦的衣服是粉红色和黄色的。 小点点：小点点是一个十人的大家族，他们的房子建在树脚下。他们身穿红色衣服，睡在同一个房间里。小点点爸爸留着胡子，而且他的胡子常会自己飞走，飞到小点点妈妈的脸上。小点点妈妈脖子上戴着望远镜，用来找失踪的孩子们。小点点们可以从烟囱飞进他们的家，小点点爸爸跟小点点妈妈有八个孩子，四个男生，四个女生，他们常常找不到自己的孩子，还好小朋友都会自己平安回家。小点点的邻居是另一个十人家族--小豆豆。 小豆豆：他们是住在小点点隔壁的十人家族，看起来跟小点点一模一样，但是小豆豆的衣服是蓝色滚红边的，小点点穿的衣服是红色的！小豆豆总是跟小点点家族打招呼。 哈呼呼：哈呼呼是五个超大的枕头造型角色，在花园里悠闲漫步。他们安静又温柔，不过却大得可以挡住玛卡·巴卡的路-----这可不简单呢!他们叠起来一起睡觉的时候，会互相吆喝。 飞飞鱼：飞飞鱼是一种飞艇，身上点缀着许多飞翼和大大的落地灯。花园宝宝们搭这种飞艇旅行时，可以俯瞰花园的美妙风景。飞飞鱼鼻子上的灯，在起飞时会慢慢闪绿灯，着陆时慢慢闪红灯。里头的灯也会在起飞和登陆时闪烁。飞艇的门要开的时候，门上的灯会轮流闪烁，门关起来的时候灯就熄了。 叮叮车：是个有点滑稽的火车，由大小形状不同的车厢组成。 叮叮车会摇摇晃晃穿过篱笆，使尽吃奶力气在树干爬上爬下，有时候甚至还头上脚下在树枝间穿梭！玩具们得好好扣紧座位安全带！ 花园宝宝-登陆中国 英国广播公司在与中国中央电视台协商后已决定将全部100集投放中国市场，于2009年下半年在央视播出。同期还将有DVD光碟、剧中人物玩偶等一并上市热销。 据悉，在中国播放的《花园宝宝》将全部是汉语普通话配音，方便中国儿童收看。
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Paul Dugdale
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Set list: 1) Start Me Up 2) It s Only Rock n Roll 3) Street Fighting Man 4) Ruby Tuesday 5) Doom And Gloom 6) Honky Tonk Women 7) You Got The Silver 8) Happy 9) Miss You 10) Midnight Rambler 11) Gimme Shelter 1 2) Jumpin Jack Flash 13) Sympathy For The Devil 14) Brown Sugar Encore: 15) You Can't Always Get What You Want 16) (I Can't Get No) Satisfaction
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In a new BBC Two series, some of the fittest men and woman around will face the toughest challenge of their lives when they take part in the recruitment week from hell. Who will be left standing on the ultimate military assault course? Presented by Andrew ‘Freddie’ Flintoff, this six-part series will see successful applicants take on gruelling tests used by some of the world’s harshest army regimes, from the Navy SEALs to the SAS, in a search to find the UK’s toughest recruit. Participants will come under intense pressure. Their physical and mental endurance will be pushed to the limit. Viewers will witness what the mind and body are capable of and how these techniques separate the weak from the strong, and they will learn what it takes to be the ultimate soldier. The ‘Hell Week ‘ has been especially constructed to reflect known selection process used by special forces across the globe including the US Navy SEALs, the Philippine’s NAVSOG (Naval Special Operations Group), the Russian Spetsnaz (Special Purpose Forces) as well as the UK’s SAS. These are physical and mental challenges designed to break the most hardened soldiers.
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In a new BBC Two series, some of the fittest men and woman around will face the toughest challenge of their lives when they take part in the recruitment week from hell. Who will be left standing on the ultimate military assault course? Presented by Andrew ‘Freddie’ Flintoff, this six-part series will see successful applicants take on gruelling tests used by some of the world’s harshest army regimes, from the Navy SEALs to the SAS, in a search to find the UK’s toughest recruit. Participants will come under intense pressure. Their physical and mental endurance will be pushed to the limit. Viewers will witness what the mind and body are capable of and how these techniques separate the weak from the strong, and they will learn what it takes to be the ultimate soldier. The ‘Hell Week ‘ has been especially constructed to reflect known selection process used by special forces across the globe including the US Navy SEALs, the Philippine’s NAVSOG (Naval Special Operations Group), the Russian Spetsnaz (Special Purpose Forces) as well as the UK’s SAS. These are physical and mental challenges designed to break the most hardened soldiers.
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Britain, is an island. Surrounded by a cold and unforgiving sea. For centuries it protected us from attack. But to prosper and thrive, we would need to do more than hide behind her salt water shield. Britain needed brave men, willing to venture out into the unknown and she needed good boats to take them there. I've spent my life at sea. Now I'm going to take passage on six boats that together, tell the story of modern Britain. Built for exploration, war, fishing, industry and our very survival. These are the boats which built Britain, and changed the way we live - forever.
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Julian Carey
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凯莉·霍威
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Documentary that reveals the secret story behind one of the greatest intellectual feats of World War II, a feat that gave birth to the digital age. In 1943, a 24-year-old maths student and a GPO engineer combined to hack into Hitler's personal super-code machine - not Enigma but an even tougher system, which he called his 'secrets writer'. Their break turned the Battle of Kursk, powered the D-day landings and orchestrated the end of the conflict in Europe. But it was also to be used during the Cold War - which meant both men's achievements were hushed up and never officially recognised.
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Andrew Downes,蒂姆·尼尔
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第一集：最后的自由 苏格兰的形成；以及之后苏格兰人在“布鲁南伯尔战役”（BattleofBrunanburh）中的历史作用，威塞克斯王朝的阿特尔斯坦（Athelstan）在此役中击败以苏格兰王康斯坦丁二世（ConstantineIIofScotland）为首的联军，之后自称“不列颠大王”，从而奠定了不列颠的雏形。 第二集：苏格兰之锤 苏格兰历史上两位杰出人物亚历山大二世（AlexanderII）与威廉·华莱士（WilliamWallace），锤炼了苏格兰的民族意识，将盖尔人的古国塑造成了苏格兰。 第三集：主教成就国王 苏格兰国王罗伯特一世（RoberttheBruce，1306-1329在位）为苏格兰独立而奋斗，苏格兰的教会也在国内外展开宣传攻势。最终1320年的《阿布罗斯宣言》（DeclarationofArbroath）促使教皇承认了苏格兰作为独立国家的地位。 第四集：语言就是力量 盖尔人和盖尔语曾经是苏格兰人民族认同的核心，但是一场家族争斗造成了众所周知的“高地”与“低地”的区分。15世纪斯图尔特家族（Stewartroyalfamily）的政策使盖尔人被视作外来人和叛乱者。 第五集：不列颠计划 斯图亚特（Stuart）王朝两位君主的野心是使曾经的宿敌合而为一并走向现代不列颠的决定性力量。苏格兰玛丽女王还只是阴谋夺取伊丽莎白一世的王权，她的儿子詹姆士则有着更为激进的梦想。
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Neil Oliver tells the epic story of how Britain and its people came to be over thousands of years of ancient history - the beginnings of our world forged in ice, stone, and bronze A History Of Ancient Britain will turn the spotlight onto the very beginning of Britain’s story. From the last retreat of the glaciers 12,000 years ago, until the departure of the Roman Empire in the Fifth Century AD this epic series will reveal how and why these islands and nations of ours developed as they did and why we have become the people we are today. The first series transmits in early 2011 and there will be a following series in 2012. 第二季将于明年制作播出……
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Luke McLaughlin
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A behind-the-scenes look at royal weddings revealing how these grand events are organised. Featuring interviews with the performers, florists, dressmakers, tailors, security guards, vicars and jewellers www.molikan.com who helped make the day so special.
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Archaeologist Julian Richards returns to some of his most important digs to discover how science, conservation and new finds have changed our understanding of entire eras of ancient history. Pagans of Roman Britain 1/4 Julian Richards goes back to the excavation of two burials from Roman Britain. Families of the Stone Age 2/4 Archaeologist Julian Richards returns to the excavation of two burials from the Stone Age. Sacred Women of the Iron Age 3/4 Julian Richards returns to the excavation of two very different Iron Age women. The First Anglo-Saxons 4/4 Julian Richards returns to the excavation of two early Anglo-Saxon cemeteries.
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Nicky Pattison
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Jane Austen remains one of the greatest writers of all time. Almost two hundred years after her death, her novels such as “Pride and Prejudice” and “Mansfield Park” continue to entrance generations of readers the world over. This film shatters any assumption that Austen herself lived the elegant Regency life of her financially comfortable heroines who ultimately find their true love. Instead it reveals the real Jane Austen as part of strata of Regency society much crueller in its treatment of women and harsher in its economic realities than her novels and their current television adaptations convey. And it discovers a woman more tragic in her own personal love life who does not enjoy the “happy ending” that she bestows upon her own female characters. Through readings and dramatic reconstructions, The Real Jane Austen pieces together the reality of Austen’s existence her modest upbringing in Hampshire as one of seven children of a clergyman; her disappointment in love; and the family’s poverty following the death of her father. Through her writing Jane found financial independence without having to marry. Tragically only four years later in July 1817 while writing “Persuasion” Jane Austen died. Filmed in locations associated with Austen including Jane’s birth place of Steventon and her later home in Chawton, and illustrated with extracts from film and television adaptations of Austen’s work, The Real Austen paints a vivid portrait of one of the greatest talents in English literature.
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Andrew Downes,Colin Murray,Colin Murray
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A history of Scotland is, like as the name says, about Scotland's history. The first episode takes us through how Scotland was created and why its role in one of the greatest wars helped define Britain in the modern era. The second episode revolves around two front figures in Scottish history, Alexander II and William Wallace, and how they shaped Scotland. Episode three takes us to Robert The Bruce and his fight for Scottish independence and how the church promoted his cause. Episode four takes us to how the Stewart's caused a divide in Scotland between the Highlands and the Lowlands. And episode five revolves around the unification of Scotland and Britain during the reign of Mary Queen Of Scots.
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DVD Release Date: September 28, 2010 Run Time: 330 minutes Bonus disc of extra performances, including songs from Crosby, Stills, and Nash, four more Stevie Wonder songs, full versions of "Iron Man," "Paranoid," and "(Your Love Keeps Lifting Me) Higher and Higher," the Simon and Garfunkel classic "Mrs. Robinson," U2 sharing the stage with the Black Eyed Peas, two more Jeff Beck jams, and "London Calling" as interpreted by Bruce Springsteen and Tom Morello. A collector's edition booklet that reproduces the 26-page article about the Hall of Fame Concerts that first appeared in the Nov. 26, 2009 issue of Rolling Stone
